Butcher Midnight Mobile – Funeral Jazz

Butcher Midnight Mobile – Funeral Jazz

The 30s, the hard-boiled literature, American cinema and not ghosts that pervade what once was a one man band and that has always refrained from only goal of being our local version of international projects aliens, the Bohren and der Club of Gore. The Butcher of Midnight Mobile is a company with a recognizable identity, an overflowing personality, album to album, from its founder, Adriano Vincenti, not a singer nell’accezione basilar of the term, but a ferryman who tells stories of love and death.

In Jazz Funeral, new studio effort and extra string to their wide arc, living intercourse and murder in a path that passes by the vibrations of a dusty and cathartic 1000 cigarettes and a murder to a feeling of warmth that exudes from the notes Love Affair. But there is also, at the center of the distorted boogie woogie traitor who makes the post with the lilting scat Black Byrd BeBop Benzedrine, revenge, in an excursus where passion runs through the first jazz group that acts as a panorama Slow and marks the trip hop refined the title track and better reflected through more marked nuances that ambient noise in the dark now, reaches its zenith in Dalia, the last goodbye, sottenendo a dark symphony, diving, full of seduction, especially the sax Pierluigi iron, and sees its antithesis in atmospheres full of fear and terror that pervades the death swing de the simple art of murder. Explore a branching storyline, that of Funeral Jazz, which in the link between cinema and music once again acts as the Roman formation always know how to overcome, giving birth to a recommended work not only to lovers of certain sounds.

Yes, they are human TARM and Inhuman while, but it is equally true that when they emerge the beautiful songs, as once again, at the end you let go again, and evil will not is.If read our titles and pieces seek their meanings there is a common thread that starts from the first album and it’s always been the same, if anything, has only deepened. But allocating we decided to be more direct and explicit about our influences and if I may say so, on our message. You must understand that originally come from highly politicized environments.From the point of view of the listener could be almost a rhetorical question but how important is the live activity for Zu

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